As a composer and manager at Naxos of America, I applaud Ilona Oltuski and her efforts to bring classical music to the genre’s future audience. Music education is central to what we do each and every day, and many arts organizations pay only a glancing acknowledgement of its importance. New York may boast a lot of wonderful things, but age-appropriate learning modules for the enjoyment of classical music – how it works, who are its practitioners – are largely missing from all but the largest cultural institutions. And those who might benefit the most from it are those in the greatest need, especially as New York becomes less affordable for so many. To paraphrase Stravinsky, children shouldn’t be taught to respect music; they should be taught to love it.